Other highlights include a rocking version of the television theme from Ironside, and 'Hikky-Burr,' the now infamous theme from the Bill Cosby Show with a guest vocal from Bill. The title cut, of course, is a reading of the Gerry Goffin and Carole King number, done in a taut, funky soul style with Rainey's bassline popping and bubbling under the entire mix and James' Rhodes and Thielemans' harmonica leading the back until the funky breaks by Tate, and some tough street guitar by Arthur Adams host an enormous backing chorus and a 'mysterious' uncredited male lead vocal. And yes, Simpson was back on this session in an epic reading of Marvin Gaye's 'What's Goin' On,'' that featured Carol Kaye and Harry Lookofsky on soulful, psychedelic jazz strings and a smoking harmonica solo by Thielemans. But it also hosted the talents of new school players who dug pop and soul, such as Grady Tate, Bob James, Joe Sample, Chuck Rainey, Paul Humphries, Eric Gale, and others. The personnel list is a who's- who of jazzers including Monty Alexander, Jim Hall, Pete Christlieb, Joe Beck, Bobby Scott, Ernie Royal, Freddie Hubbard, Jerome Richardson, Ray Brown, Jaki Byard, Toots Thielemans, and many others.

Its follow-up, Smackwater Jack, marked Jones, along with Phil Ramone and Ray Brown in the producer's chair, and knocked purist jazz fans on their heads with its killer meld of pop tunes, television and film themes, pop vocals, and big-band charts. That set, with gorgeous reading of Paul Simon's 'Bridge Over Troubled Water' with a lead vocal by none other than Valerie Simpson, pointed quite solidly into the direction Jones was traveling: unabashedly toward pop, but with his own trademark taste, and sophistication at the forefront of his journey. Quincy Jones had jazz fans wondering when he released his killer Gula Matari album in 1970. Jerome Richardson (Soprano and Tenor Saxophone)Дick Hyman (Electric Harpsichord and Piano) Guitar Blues Odyssey: From Roots To Fruits (Quincy Jones) 6:44 Hikky-Burr (Theme from The Bill Cosby Show) (Bill Cosby/Quincy Jones) 4:04ДЁ. Theme From the Anderson Tapes (Quincy Jones) 5:16Д§. What's Going On? (Renaldo Benson/Al Cleveland/Marvin Gaye) 9:56ДҐ. Ironside (Theme from Ironside) (Quincy Jones) 3:54Д¤. Cast Your Fate to the Wind (Vince Guaraldi/Carl Rowe) 4:27ДЈ. Smackwater Jack (Gerry Goffin/Carole King) 3:22Дў. Not to mention that he somehow corralled the collective talents of dozens of multi-million-selling megastars on the definitive global charity record, 1985вЂ™s вЂњWe Are The World.вЂќ There will never be another Q.ДЇollow the official Quincy Jones Productions playlist.1. It was Jones, of course, who essentially invented the sound of the adult Michael Jackson, represented here on both Off The Wall and the biggest-selling album in history, Thriller. In between, Jones had helped create the sound of one of Aretha FranklinвЂ™s very best post-1960s hits, вЂњAngelвЂќ guided the Brothers Johnson to massive success and to George Benson to the biggest worldwide audiences of his life and made an outstanding 1982 album with Donna Summer, featuring her hit version of Jon Anderson and VangelisвЂ™ вЂњState Of Independence.вЂќ The album also contained the last studio work of both Fitzgerald and Vaughan.

Sure! and El DeBarge for вЂњThe Secret Garden (Sweet Seduction Suite),вЂќ one of two R&B No.1s from Back On The Block. Later, in 1989, Ingram returned alongside Barry White, Al B. Such was his reputation that superstars would race to be just a part of JonesвЂ™ glittering line-ups, from Chaka KhanвЂ™s brilliant lead on 1978вЂ™s вЂњStuff Like ThatвЂќ to James IngramвЂ™s soulful take on 1981вЂ™s One Hundred Ways. Jones has always been the master of the studio collaboration, a trait that features on Count BasieвЂ™s 1960s recording pacts with both Frank Sinatra and Ella Fitzgerald, and on QвЂ™s own albums.

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